
Eleanor Lakelin (b.1960)
Paris Vessel, 2023
Horse Chestnut burr
50 H x 27 W x 27 D cm
19.6 H x 10.6 W x 10.6 D in
19.6 H x 10.6 W x 10.6 D in
Works by Eleanor Lakelin from fallen trees outside Wilde’s prison cell in Reading 'I hope to live long enough and to produce work of such a character that I shall...
Works by Eleanor Lakelin from fallen trees outside Wilde’s prison cell in Reading
'I hope to live long enough and to produce work of such a character that I shall be able at the end of my days to say, ‘Yes! this is just where the artistic life leads a man!’ Two of the most perfect lives I have come across in my own experience are the lives of Verlaine and of Prince Kropotkin: both of them men who have passed years in prison: the first, the one Christian poet since Dante; the other, a man with a soul of that beautiful white Christ which seems coming out of Russia. And for the last seven or eight months, in spite of a succession of great troubles reaching me from the outside world almost without intermission, I have been placed in direct contact with a new spirit working in this prison through man and things, that has helped me beyond any possibility of expression in words: so that while for the first year of my imprisonment I did nothing else, and can remember doing nothing else, but wring my hands in impotent despair, and say, ‘What an ending, what an appalling ending!’ now I try to say to myself, and sometimes when I am not torturing myself do really and sincerely say, ‘What a beginning, what a wonderful beginning!’ It may really be so. It may become so. If it does I shall owe much to this new personality that has altered every man’s life in this place.' Oscar Wilde, De Profundis
'I hope to live long enough and to produce work of such a character that I shall be able at the end of my days to say, ‘Yes! this is just where the artistic life leads a man!’ Two of the most perfect lives I have come across in my own experience are the lives of Verlaine and of Prince Kropotkin: both of them men who have passed years in prison: the first, the one Christian poet since Dante; the other, a man with a soul of that beautiful white Christ which seems coming out of Russia. And for the last seven or eight months, in spite of a succession of great troubles reaching me from the outside world almost without intermission, I have been placed in direct contact with a new spirit working in this prison through man and things, that has helped me beyond any possibility of expression in words: so that while for the first year of my imprisonment I did nothing else, and can remember doing nothing else, but wring my hands in impotent despair, and say, ‘What an ending, what an appalling ending!’ now I try to say to myself, and sometimes when I am not torturing myself do really and sincerely say, ‘What a beginning, what a wonderful beginning!’ It may really be so. It may become so. If it does I shall owe much to this new personality that has altered every man’s life in this place.' Oscar Wilde, De Profundis